Sunday, June 11, 2006

A New Home!

Well dear readers

Flux has gone the way of DD.

I now have an "intellectually inclined" (don't laugh) blog to supplement this one at wordpress. I have named it FLUXISTAN, because it was just too much bother to think up a new name. So there are now two States in the control of the greedy megalomaniac that you know as FLUX. Tomorrow the World, hein?!

Monday, June 05, 2006

The Giant of Fukujima (Part 3)

Where were we, ah yes. After fleeing to the Sea of Grass, in his anger and grief, his spirit became mad. But though he was at his wits end, his life was by no means nearing its end. At this time he was a mere sixty years of age, nowhere close to senility for one of the Dragon line. But in his madness he had forgotten his true identity.

So it was that on a fresh and sunny day in late summer, the local villagers caught their first sight of the creature that was to become known as the Terrible Giant of Fukujima. On that day was to begin four years of great terror for the inhabitants of the island. In no time at all the rumour spread far and wide, and as is the usual way of people, some began to think that in fact they remembered a prophecy, foreseeing the return of an ancient curse, that would one day unleash a great and destructive creature upon the island. It was not long before certain scholars took up the thread and legitimised these false legends, whether for their own glory or profit. Indeed one or two of the younger ones, in order to prove their wisdom and insight, went so far as to write lengthy thesis on the subject. The giant was given the name of Surifuraco. And so it was that people whether high or low, trembled with fear whenever noises were heard at night, and reports poured in from far and wide, of the atrocities that the giant had wrought. Noble and peasant alike petitioned Yuji to take action and save them from the creature. Many even prepared to leave the island. Almost every disaster great and small that befell the island was unjustly blamed on the poor Giant.

Teru meanwhile was blissfully oblivious of the disturbance his wanderings were causing in his kingdom, as he roamed restlessly from place to place, lost as he was in his unfathomable despair. If on a rarity he stumbled upon a settlement the people cowered or scattered, terrified before him. He himself though was impervious to the chaos his presence was causing.

Yuji and his co-conspirators, being shrewd men, fuelled the fires of speculation and rumour, to their advantage. with every report their own position became better consolidated. This state of affairs put Yuji on a firm footing towards his ultimate ambition to openly usurp the throne for himself. Having declared a state of emergency, he set about doing just that.

Now as fortune would have it, at about this time, prince Jiro the Second son of Terumasa, was out hunting with a small party of his companions in the Sea of Grass plain, one blustery day. Suddenly they were disturbed to hear a great wailing and tearing drawing toward their camp. As they watched, out of the tall grass there emerged a large and fearfully ragged creature. The young men were making ready to bolt in great disarray, when Jiro, shouting to be heard over the noise of his friends, ordered them to stand firm. Behind the splattered and filthy appearance of the giant, Jiro, as is natural, had recognised the beloved face of his father.

The hunting party, on Jiro's order, gradually gained an uneasy composure, so that they too began to see the undeniable resemblance of the poor spectre to their lord. All this time the giant stood and stared at the young man who was obviously the leader. Slowly his eyes softened and soon melted into tears of recognition, as he identified his beloved son. For the first time in four long years he cried tears that were not the tears of anguish, but a joy that rekindled sanity in his heart and soul. Now the mood of the encounter shifted over to an explosive burst of joy as father and son ran to one another. Jiro, his heart filled with happiness stood close before his honourable father and bowed to him.

Terumasa, his madness of a sudden melted away, and a great weight lifted from his brow, was quickly washed and given more suitable robes. He then briefly related the now only too clearly remembered tale of Yuji's treachery. Soon the party were riding hard, back to the palace to put matters right.

The rest my friends is legend. Everyone knows how Yuji the traitor was captured at the so called Second Great Battle of Fukujima, the first as you surely remember, being that against the Manchu lord Che. Yuji, along with the rest of the traitorous warlords, were suitably punished, and the island was given once more the gift of peace.

As for Surifuraco, the Terrible Giant of Fukujima, that foolish legend was put to rest for good, except in some now ancient songs that remain with us to this day, and which our children sing to entertain themselves.

The Giant of Fukujima (Part 2)

At about this time, in the far off land of India, a prince was born who would change the world for such as Terumasa within the next few decades. This prince, who was known as Siddhartha Gautama, at a young age began to become bored with his rich and useless life. He became aware that the interminable orgies and drinking no longer held any flavour for him, and began to ponder the meaning of happiness and fulfilment.

Now some of you may be scratching your heads and asking 'Why is this loon telling us this... What has this bored Indian prince to do with Lord Teru and Fukujima and all that? Be patient, you shall know this presently.

Siddhartha was soon to leave his palace and his rich life behind him and take up the life of the ascetic, walking into the wilderness, with only the bare minimum of possessions, to allow him to contemplate the world without these hindrances. He soon gained himself many followers and became known as the legendary Buddha. He taught people to love peace and to live in harmony with all living things, no matter how great or small. Well soon Buddhist disciples began to travel far and wide, and some found their way to Japan. One young monk reached the island of Fukujima and the court of Lord Terumasa. This young holy man was called Yuji by the Japanese and soon became part of the Dragon court and a great friend and advisor to Teru. But Yuji was not all that he seemed. Teru perhaps trusted him too much. Yuji had some very individual ideas about the future of the Dragon Throne. He planned to marry the Lord's youngest and favourite daughter and gradually work his way up the ladder of heirs to the throne and endear himself to the King so that he may be given an island or two for himself and eventually take possession of all the realm of the Dragon.

Soon though his ambition became so great that his earlier, more modest ambitions, grew to take on a more sinister proportion.

One day, after making long and painstaking plans with some of the warlords whom Terumasa had subdued all those years ago, he and his accomplices, under the pretence of making gifts and petitions to the king, entered the throne room and made to attack their lord. With swords drawn and hatred in their hearts they went bearing down on the gigantic King.

Terumasa, though unprepared, was much too old and experienced a warrior to be easily disposed of. He fought bravely and ferociously, but against such a large number of equally hardened adversaries, he began to lose ground, and with a great shout of anguish he fled his assassins to the wild vastness of the Sea of Grass, that was the gently undulating central plain of Fukujima. There he wandered for many long days and gradually lost his sanity.

Meanwhile, aside from the conspirators, no one knew the fate of the king, for you see Yuji the cunning rascal, having achieved the highest position in the land, after the king of course, had told everyone that the king was in deepest contemplation at a secret retreat. He convinced everyone that the king had ordered that no one, but no one was to disturb him, on pain of flogging, until such time as he may see fit to return to his palace, not even his nearest kin were exempt from this ban. Yuji also announced that the Lord had appointed him as his regent for the duration of his absence.

In this way many years passed, and though the Kings wife and family were terribly suspicious, Yuji with his smooth tongue managed to quell their fears, and persuade them that all was fine. He even brought them loving and personal messages from the king, which of course were inventions concocted by him to allay their fears. Now those loyal to the king were aware that Terumasa had been contemplating conversion to Buddhism for sometime, and had Yuji himself not taught that a person seeking enlightenment must take the time he needs to find inner peace? So it was that the lies of Yuji and his cohorts rang true. If a suspicious courtier became too curious then Yuji simply resorted to admonishing him, by reminding him that he must not make so bold as to question the decisions of his Lord, who was wise beyond all, and that it was an intolerable impudence to question his motives.

I hear some of you asking, "Well what did become of Terumasa?" Forgive me, I assumed that everyone knew the story.

The Giant of Fukujima (Part 1)

A very long time ago on the island of Fukujima, in the Sea of Japan, there lived the great, great, great grandson of Hiroto the Dragon King of the Southern Sea. The name of this young man was Terumasa.

Well Terumasa had one incredibly large problem. He was, in a word, gigantic. Teru was after all, descended from a great dragon who ruled in the form of a man, or so legend would have it. In point of fact if one were to look closely at the stories of the time one will find that very few of his subjects actually ever saw the king, since he kept himself tucked away in his enormous palace at the centre of the island. Rumour has it that the king actually lived in a huge pool of of salty sea water, which as you might imagine is what any respectable sea dragon would like to live in. The stories also relate that one day, while on one of his rare sojourns on dry land, he caught sight amongst the throngs of his solemn subjects, standing with eyes averted, a very beautiful young girl from one of the local fishing families. Well the great king fell immediately in love and asked his chief attendant, the Honourable warlord, the Great Yoshio Masuda, to invite the girl to his palace for some tea, and of course to meet her father.

So it was that on the following day the girl, who was named Akiko, entered the Grand Palace, at a respectable distance behind her father.

Well to cut a long story short, Akiko was soon married to the Lord, amidst huge celebrations and the burning of offerings at the temple. As such stories go they lived happily for the rest of their rather long lives.

From this happy union came three sons and two daughters, and it is the youngest daughter who is of particular interest for our present story. This girl, who was called Mikiko, was married by arrangement to the great warlord of the Northern island of Tarajima, the Honourable Imamura Terumasa, the Terrible. Mikiko brought four strong boys into this world, all of whom brought the house of Imamura great battle honours, and earned the family much wealth and respect, and extended the Imamura Empire to the furthest horizons of the known world. These included the island of Fukujima which, some years earlier, had fallen into the hands of the Manchu warlord, the Lord Che Chin Hanku, the terrible lord who had for many moons pillaged and terrorised the lands that were within this area. This same lord had some decades earlier fought and killed a grandson of the great Dragon Lord and taken the island of Fukujima out of the hands of the family and made himself king and lord.

The Lord Che ruled over the island of Fukujima for twenty years, during which he managed to wipe out practically all the remainder of the Dynasty. All that is except for young Terumasa, the main hero of our tale. His mother had managed, with superhuman ingenuity to smuggle the rather conspicuously large lad off the island and hide him with his cousins on the island of Tarajima, keeping him safe from the agents of the Lord Che hunting far and wide for the remaining male members of the Dragon Line.

Anyhow now that Teru was himself a man, expert in the way of the warrior, and in possession of great cunning and courage, he was ready to gather the dispersed and disheartened forces of his family and face the Lord Che to take back the lost realm of his ancient and revered ancestors. The honour of all the Houses related to the House of the Dragon King, and the future of his own wife and family rested on his considerable shoulders.

So it was that on a stormy autumn morning, having gathered many warriors, old friends and new allies, about him the great and legendary Army of Liberation for Fukujima, began its equally legendary and hazardous march towards the fleet that was to transport them to their fates, and to glories that none had dared to hope for, but all had dreamt of.

For those of you who already know the story of the Great Battle of Fukujima, I need not go into too many long and bloody details. For those who do not then suffice it to say that after two long years of cruel fighting, the Lord Che's forces were either decimated or ran away in disarray. Some even changed sides, since many among Che's troops hated him for his cruelty and bloodthirstiness. The islanders in turn celebrated their liberation as village after village rose up to fight for the great and true returning lord of the island. The Dragon line had always been remembered for their just and honourable rule, and the people were only too glad to be rid of the Manchu's cruelty. And so it was that lord Imamura Terumasa, the Dragon King, the Lord of the Northern Islands, son of the Kings of Tarajima, and great great great grandson of the Lord Hiroto, the Dragon King of the Southern Sea, Lord Trumasa II took his rightful place in the great palace of his ancestors. Terumasa finally put an end to the interminable squabbles of the minor warlords of all the surrounding islands and brought, for the first time in two decades, peace and calm to the area.

So much for the story up till then. Did everyone live happily ever after? Well, not quite.

Sunday, June 04, 2006

What's to Come?

Right, so, since I seem to be on a bit of a roll on the story telling front, I was thinking of posting a children's fable I worte, part of the previously mentioned fragments, some twenty something years ago. It continues in the Japanese vein, and is rather inconsistent in structure. But hey it is an early draft. I've taken a hint from EllasDevil, and have decided to feed this story in installments. That would be a shrewd way of getting folk to come back for more.

Will they be disappointed by the story? Will it reveal great truths? Will it answer universal questions? Will they find happiness and fulfillment through it?

Well I don't know! I suspect NOT.

Please vote

Pound

I was just thinking that Ezra Pound, mystical proto-fascist that he was wrote many wonderful, Haiku styled poems. One that I loved is called "Field Mouse". I'm going to post this from memory, if anyone sees any mistakes in it feel free to let me know.

And the days are not long enough
And the nights are not full enough
And life slips by, like a field mouse
Not shaking the grass

I love it.

Saturday, June 03, 2006

Addendum #3

For those interested, here is a tiny helper, in Japanese matters, that may relate to the story below.

Names given to boys and girls were commonly chosen in this manner,

Boys were named in order of their birth thus, ICHIRO (first son), JIRO, SABURO, SHIRO, GORO etc.

Girls were named after flowers, qualities or objects, such as, TAKE (bamboo), HARU (springtime), YUKI (snow), KIKU (chrysanthemum), SEI (purity), TOSHI (goodness) and so on.

Boys bore a different name until their coming of age, at thirteen, or in the case of the samurai at fifteen. Girls came of age at thirteen. From there on the sexes did not play together.

TANJOBI, First birthday.

HITAI-EBOSHI, paper or stiff cloth headgear for boys, who became entitled to wear it at the age of five, worn high on the forehead, and tied with a ribbon.

The ceremony of adulthood, was called GEMPUKU, whereupon the young adult was entitled to wear his man's head-dress, EBOSHI. During GEMPUKU the godparents gave the boy his man's name, comprised of two parts, one hereditary, the other personal. Only high ranking people had the privilege of a family name. The lower people usually had only personal names, and in the case of craftsmen and artists as well as other guild members often added the name of their trade as a prefix. In many cases people from the same village all had the same name though they were not related by blood.

TORII, the gateway of a Shinto shrine.

Just thought it may help clarify some things.

Haiku

Since I've received a couple of encouraging comments, kindly asking me to post more of the now fragmentary fables I wrote all those years ago, I am now going to foist upon you another of these. The tale below was written based on the Japanese tradition of 'haiku' poetry. Japanese tales are, as everything else about that wonderful culture, short, mysterious and to the point. I found them achingly beautiful, which is why I wanted to try my clumsy hand at writing a story in that style. And here it is...


"The Lover

As he stole his way closer to his beloved's chamber, he could hear the soft lilt of her gentle song, and the quiet shuffling that told him her whereabouts in her room.

Finally he was there, only a small screen separating him from the object of his passion. He bent his head gently towards one of the small openings in the screen, and carefully put his eye to it. Inside in the profound gloom of the lady's bed chamber, he could just make out the shapely curves of her pale body as she undressed. Excitement and anticipation nearly driving him till he thought he might go mad, he whispered to his love a poem he had prepared for exactly this moment, and had been rehearsing ever since that beautiful day when he first set eyes on his love at the great Lord Terunaka's gempuku for his Second Son, Jiro Takeda.

He sang softly to her, saying

Even more than in my days gone by
When I did not know you,
Oh, Green leaves of the willow,
More than ever, this morning
My thoughts are troubled

The lady, meanwhile he could see had stopped moving around and was listening to his song. At this thought his heart leapt nearly to choke him, and he felt around in his kimono to find the love token he had prepared for her, and, calling to her, passed it through the lattice of the screen, and spoke to her more of his undying yearning to be with her. The lady, who was named Haru, and was the youngest daughter of Lord Terunaka, softly replied that three nights hence he may enter her bed chamber, but for now he must be patient. As he was about to leave curiosity got the better of Haru, and she called to him saying "What is your name?"

The young man came back and whispered that his name was Saburo, of the Shenshi clan, and was a warrior in the service of the great Samurai Shenshi Yoshimoto. With that, stealthily the young warrior stole away into the night, as though he had never been there.

Two nights and three days Saburo struggled against his rising passion, and inspite of the urging of his companions, refused to visit their regular inn, where the most beautiful geishas could be had for very little money and a great deal of pleasure. He was determined that his night of love with the Lady Haru should be an affair of fire and brimstone."


haiku n. pl. hai-ku, also hai-kus

1 A Japanese lyric verse form having three unrhymed lines of five, seven, and five syllables, traditionally invoking an aspect of nature or the seasons.
2 A poem written in this form.

The Tale of Akbar

Many, many years ago I wrote a series of fables, each in the style of the country the tale was about. The purpose of this project was to make an illustrated book for the new born son of a very good friend of mine. My aim was by this means to guide him to take an interest in an ancient medium, that perhaps is one of the best ways for us to discover our common roots and the inescapable fact of our oneness as a species. If you look at stories from around the globe, you can see the clear line of oral tradition that is ample proof of the commonality of our psyche. From every part of the world come fables that illustrate the history and evolution of humankind in its perpetual struggle towards understanding its roots and its destiny. They operate as a kind of base learning medium, teaching children and grown ups anything from social etiquette to history, philosophy and morality. Below is a sample of a tale I wrote for the above collection. It was never really finished, and is of course at best only a pale imitation of the great tales it tries to emulate. But it may interest some people. This one was written in the style of old Farsi fables.

"Once upon a time, in the far and vast country of Iran, which was known to the West as Persia, in the great city of Isfahan, there was a prosperous and bustling market, which the people there about call a Bazaar.

Now, Isfahan is known by some as the Jewel of the Desert, and that is precisely what it is. As one approaches the city limits one sees the lush and fruitful glory of Isfahan emerge, like a miracle, out of the heat and sand. To reach the city one has to cross the Bridge of Thirty Three Arches, or Siyo-se-pol, in Farsi. This bridge leads the traveller from the arid desert, over a shallow, powerful and wild river into the greenest, most beautiful city in the whole of Southern Iran. Isfahan, the seat of Ancient Kings, and a centre of much importance to the Iranian Empire, is, even to this day, also a centre for commerce.

So it is that the Bazaar in Isfahan is one of the busiest and most valuable in all Iran. And in this Bazaar was the beginning of the odd story which I am about to tell you. Where indeed can one begin? Certainly not at the beginning, that would take too long, and as any good Isfahani would quickly remind you life is too short. Ah well let's just tell it.

If you were to walk into the central avenue of Isfahan, you'd see a very long and broad boulevard, with row upon row of trees along the central island, surrounding emerald green pools, with decorative tiles and natural fountains, which dance day and night, reflecting the bright sun light of the desert, and magnificent ancient buildings on either side. Every one of these buildings houses some kind of craft workshop and you don't even have to walk in to see what is going on inside, because these are not ordinary shops. They have open arches in front instead of windows, and just by standing on the pavement you can watch the craftsmen do their work. Here they make everything the locals use, from pots and pans to plates and even carpets and books. You can buy everything straight from the person who made it. And every craftsman has apprentices who are usually either his own children, or the children of someone who asks the craftsman to teach his child the trade. The apprentice then learns by doing the work under supervision, until the day he becomes a master himself.

And so finally to our story, which concerns one of these very students. The name of our young student is Akbar, which in Arabic means Great, though at this time Akbar was by no means very great. In fact truth to tell, he was rather a small and delicate boy of fourteen. Akbar the son of a travelling merchant from the Northern city of Gonbad, was an unusual boy only in the sense that he was rather small for his age, otherwise there was nothing about him to make him stand out.

Akbar was apprenticed to the famous Isfahani brass and silver craftsman, Haj Ali Assadi, an important and influential man, much respected in the community. Haj Ali had taken Akbar on as a personal favour to his father, who was an old and dear friend. Indeed Akbar now actually lived with Haj Ali's family, since his mother had died and except for his father there was no one in Isfahan to look after him, and as his father was away most of the year, trading as far as China and India.

One day, in the second year of Akbar's apprenticeship, on a sunny and warm day, a very fat and jolly man who looked a little Mongolian, walked into the shop, and asked especially to see him. Haj Ali was a little put out by this since he vaguely thought that his position was being undermined. But nevertheless he called to Akbar, after some grumbling that he was perfectly capable of serving the gentleman himself, and withdrew far enough to be polite, but near enough to hear the conversation. The fat man looked at Akbar for a moment and then put his hand in his travelling bag and took out a small bronze box and gave it to Akbar. Then he patted the boy on his head and told him to look inside only after dark. Giving a little bow to Haj Ali he left the shop. Haj Ali was a little distant with Akbar at the best of times, but now he was distinctly ceremonious with him for the rest of the day. Finally his curiosity got the better of his sense of dignity, and he again called the rather puzzled Akbar before him. Akbar, the poor boy of course had no idea what the box contained, or who the little man was. Stranger still the fat man had whispered to him that on no account should he give the box to anyone else, and to take care not to even open it in the presence of others, no matter who they were, or how much he trusted them. Well Haj Ali asked the boy some question or other about his progress with a bowl he was making, and then then as if he'd only just remembered, he casually asked Akbar " oh, em, by the way who was that rather rude visitor you had today?" trying not to show how interested he was, "Was he a friend of your father? I don't recall seeing him here about before...!"

Akbar, who had always found it difficult to look at his tutor and mentor without becoming uncomfortable, mumbled that he didn't know, as he struggled against the rising colour in his cheeks. The Haj, his desire to know by now reaching feverish heights, loomed above the little boy and frowning, puffed something about ingratitude and, as the saying goes in Iran, eating the salt and breaking the pot. Seeing that his questions wouldn't achieve any result, he asked Akbar for the box directly. "I had" said the Haj "hoped that you would immediately bring the box to me, after all you mustn't forget that in the absence of your father, you are answerable to me before any old stranger that comes in off the street. But now I would thank you to hand the box over to me for safe keeping" Akbar stood, his heart in his throat and his hands behind him, twisting this way and that, and did nothing to go and fetch the box. The Haj was becoming very angry by now. With some violence he took hold of Ali's ear, and twisting it shouted " Right you little son of a bitch, I've treated you better than my own children, and this is how you repay me! Just wait till tonight my boy, there is no one to look after the shop right now, lucky for you, or else I'd skin your arse for you right here..." Needless to say Akbar was crying, and thought he may just wet his pants with fear. And as if that wasn't enough, when he went, his nose running, back to his work, he noticed that the box was gone. He looked everywhere, but there was no sign of it anywhere.

Well that night he was not allowed down to supper until he produced the infernal box, and told the Haj what the fat man had wanted, and who he was, and what he had said, and then only after Akbar had made full apologies and said he'd eat shit if he ever disobeyed the Haj again. No matter how much Akbar swore on the Koran that he didn't know the man, or what the box contained, or where it was now, Haj Ali simply would not believe him, and the more he cried the worse the situation got. In the end the Haj dragged Akbar to his room, beat the daylights out of him, locked the door and ordered that no one, but no one was to see him or talk to him or take him food, until he told the truth, or died, which ever came first. Akbar meanwhile cried and screamed and beat his head with his fists, trying to figure a way out of this awful mess.

At about midnight, Akbar, who had finally collapsed into an uneasy sleep, was awakened by the sound of steps coming toward his temporary cell. His whole body quaked with almost uncontrollable terror, and he was sure his end had come. The door was flung open and light poured in, framing the fat outline of the Haj. At first Akbar dared not look at his tormentor, but as the Haj spoke Akbar's limbs began to thaw out and relax. Haj Ali was speaking, if not kindly, at least not as though he was about to tear him to shreds. In fact Akbar noted a slightly apologetic tone in his master's voice. As he looked up he was surprised to see the look of worry in Haj Ali's face.

The Haj, like all men of his kind, was very obsessed with his own importance, and felt that everyone should always give in to him, after all was he not rich and powerful, and did his money not give him great authority. But, as is also the way with such men, he never risked anything, especially his own skin. He would sell his own mother to avoid the minimum of pain and discomfort. So it was that as soon as his anger had subsided, he remembered that important as he was, Akbar's father, due to return soon, was much more powerfully built that he, the Haj was rich. After all, on his travels he was constantly fighting bandits and mercenaries and so would have no hesitation in ripping him to pieces as soon as he found out what the Haj had done to his precious, and only child. So it was, and Akbar understood in the midst of all his confusion, why it was that the Haj had had a sudden attack of remorse.

At this realisation, the boy, who was older and a little larger than when we started this tale, gave a great shout of relief. Charging headlong for the Haj, he knocked the great man down on his fat arse and made his oil lamp go over. As fire broke out everywhere, Akbar turned back from his wild run, and pulled the Haj to the safety of the washing pool in the middle of the garden. There he threw the old man into the water, and laughing for the first time in many years, shouted at his master "You fat, stinking son of a whore, you are not worth even killing, so I'm just going to leave you there, I'd like to remember you just like you are now. Don't be surprised if you never see me again, I'm going where donkeys like you can't touch me"

With that Akbar ran out of the courtyard, onto the first mule he could find, and rode hard out of Isfahan, over the Siyo-se-pol and into the West. Under a starry clear sky, which is such a beautiful speciality of the desert, and towards the Zagros mountains on the Western border of the Iranian heartland.

Do I hear some of you asking how I know all this? Well Akbar met up with a man known as Vali Mirza Khan, a fierce and very famous bandit, who also happens to be one of my ancestors. And the story of Akbar is one that every child in my family grew up with. What, I hear some of you ask, became of our little hero?

Why, he grew up to become the famous mountain outlaw, Akbar Khan, the scourge of rich and useless merchants and noblemen. Akbar who was never caught, but died at a very old age, amongst his beloved band of fighters, undefeated and never again fooled by the surface appearance of things."

Addendum #2

Now that I have started on this business of the Mullah, I've been checking back on his progeny, and find that the whole thing goes deeper and deeper. I grew up kind of aware of this fact, but had not looked into it before with an eye to research.

The Mullah, is widely regarded, it seems, as a member of that illustrious club of ancient and modern fool/sages that occur in practically every culture from every point of the compass. I drew a parallel between Nasr Eddin and Punch previously. But it seems I was being rather ungenerous with my similarity scope. He is firmly planted as one of the most wide ranging of Comic Sages, to have risen out of any culture. I did remember one thing correctly, that although his name changes according to region, his stories are pretty much exactly the same. Also that all the nations that lay claim to his invention are zealous in their belief. I remember personally certain heated arguments I witnessed as a child amongst scholarly types, as to who could rightly lay claim to him.

That aside though I think I may make a page dedicated to him. Meanwhile below is a link to a very interesting page about the roots of some pivotal Iranian literary landmarks, including our Mullah, that have seriously influenced the wide region that stretches from the borders of Europe to those of China.

http://www.geocities.com/zimbbo/history.htm

Thursday, June 01, 2006

The Secret of Life

This one is for scarf

One sunny day Mullah Nasr Eddin was speaking to a group of villagers, who had asked him to tell them the secret of a good life and how they could lead such a life. He stood in the market place in front of the group and said that to tell them the secret of life he will illustrate it with the use of a jar.

He got hold of a large earthen vessel, which had a wide mouth and set it on the table in front of him. Then he produced about a dozen fist-sized rocks and carefully placed them, one at a time, into the jar.

When the jar was filled to the top and no more rocks would fit inside, he asked, "Is this jar full?" The villagers answered in choir, "Yes." Then he said, "Really?" He reached under the table and pulled out a bucket of gravel. Then he dumped some gravel in and shook the jar causing pieces of gravel to work themselves down into the space between the big rocks.

Then he asked the men once more, "Is the jar full?" By this time they had already learned something and as they also knew Mullah and his tricks they were a little hesitant. "Probably not," answered Mustafa. "Good!" he replied. He reached under the table and brought out a bucket of sand. He started dumping the sand in the jar and it went into all of the spaces left between the rocks and the gravel.

Once more he asked the question, "Is this jar full?" "No!" shouted the men. Once again he said, "Good." Then he grabbed a pitcher of water and began to pour it in until the jar was filled to the brim.

After this the good Mullah looked at the villagers gathered around him and asked, "What is the point of this illustration?" Ali raised his hand and said, "The point is, no matter how much you work, if you try really hard you can always do more!"

"No," replied the Mullah, "that's not the point. The truth this illustration teaches us is: If you don't put the big rocks in first, you'll never get them in at all."

Addendum

In the post below, which was more based on my memory than any kind of research, it seems my guess or cloudy memory was half right.

Firstly for those who care about these things, the common spelling for the Mullah is Nasr Eddin, I spelt it in the way of Farsi. In Farsi the first name and the family name are connected by the vowel 'e', which is equivalent to 'de' and its variants in Latinate languages, or 'of' in English (normally associated with Irish of course, such as O'Reilly).

Secondly it seems that the Mullah is indeed claimed by the Afghans also, and is a folk hero, possibly based on an actual person, dating back to the 13th Century. There are meagre references to him online, yet he is still a rather large and important folkloric character, much like the tradition of the 'Karayiozi', the Greek clown, puppet figure or his equivalent, the English 'Punch'.

Anyway, just thought I'd add a little cultural history to this post.